Vol 3, No 4 (2009)

Table of Contents

Artigos gerais

Television journalism of filmmakers in the lead years: constructions of the popular in the clash of "viola X guitar"
Cássia Louro Palha
7-18
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p7
"Faithful images of the land": landscape and regionalism in the reception of Frans Post's works for the visual culture of Pernambuco, 1925-1937
Daniel de Souza Leão Vieira
19-32
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p19
Female representations in 19th century portraits
Gisele Ambrósio Gomes
33-40
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p33
From the Zocalo to Chapultepec: considerations on memory, politics and monumental architectural narrative in the Mexican case
Hernán Ramírez
41-56
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p41
Presenças, anúncios, silêncios: registros fotográficos de um lugar chamado Gruppelli
Margareth Acosta Vieira
57-68
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p57
The female image in Claudia magazine: the representations of family life (1961-1985)
Maria Paula Costa
69-80
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p69
Pedagogy, morals and popular culture: the Argentine school in front of the cinema in the first decades of the 20th century
Myriam Southwell, María Silvia Serra
81-92
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p81
The study of the symbolism of the gorgoneion figured in the Greek shields through the painted attic pottery. 6th and 5th centuries BC
Patrícia Boreggio do Valle Pontin
93-106
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p93
The Byzantine icon and the production of meaning in Ukrainian Orthodox immigrants
Paulo Augusto Tamanini
107-114
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p107
When Two Worlds Collide: representations of the real and fantastic monstrosities in the symbolic set of album covers and singles by the band Iron Maiden
Rodrigo Medina Zagni
115-136
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p115
Cinema and film club as processes of personal meaning
Veruska Anacirema Santos da Silva
137-148
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p137

Resenhas

Resenha: La pintura encarnada
Rafael Alves Pinto Junior
149-156
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p149
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